Shorts IV "The Journey" 18-1930

Herre you can view the ENTIRE FESTIVAL PROGRAM LIVE! We stream from TWITCH and if you wish you can also use the twitch app and view from there.


Leading up to the event we will do Daily Live Streams at 1..30 PM. To catch when we are online simply visit our website here, and to get notifications follow our channel HERE


Tip!
If you want to chat to other viewers from around Germany and the world, you can do so below if you have a twitch account (ask your nearest 12-year-old-gamer for advice).



LIVE STREAM FESTIVAL TIME TABLE


SATURDAY April 4

SHORTS I  "Through Our Eyes"  18.00-19.30

SHORTS II "Identity" 20.00-21.30

SHORTS III + FEATURE I "Life" 22.00-23.30


SUNDAY April 5

CARTE BLANCHE SHORTS I + FEATURE II 16.00-17.30

SHORTS IV "The Journey" 18.00-19.30

CARTE BLANCHE SHORTS II 20.00-21.30

SHORTS V + FEATURE III "One's nature" 22.00-23.30


SATURDAY April 11

 ISIAH MEDINA MASTERCLASS April 13.30-15.30 (SPECIAL EVENT)


Moderating host, Q&A with film makers on Skype, call ins from special guests etc! This covid-19 situation might have opened a door for us we might not have dared going for otherwise.
We're gonna use the worlds leading platform for livestreaming, Twitch.


Are we the world's first in Film Festival to live stream as MAIN program!?


Join in 4-5th April, 1700 Berlin time!

Leading up to our big live event we are streaming films from the archives of our VOD site Illambra EVERY DAY at 1pm Berlin Time. If you're intersted, tune in for some unconventional and experimental Art House Films - documentaries, ficiton and hybrids:


www.twitch.tv/pbproduktion


Sunday 1800-1930

SHORTS IV THE JOURNEY

Program will be streamed LIVE ON TWITCH!
Join us and our host in our LIVE EVENT! Watch films together, interact in chat and tune in for the video Q&A's


From one pole to the other, between inner and outer world, facing oneself, like a rat on the wheel, in infinite circle, cycle the journey becomes more important than reaching the destination

Maybe Nymph

Sunday 1800-1930

Length: 06:02 min

Directed by: Joanna Mamede


Country of Origin: Brazil

 

A Nymph tries to communicate with a logger who cannot see her. Inspired by the myth of Eco and Narcissus, Maybe Nymph uses the Brazilian Modernist concept of 'Antropofagia'  to address an unequal relationship in different levels; woman/man, colonised/coloniser, oppressed/oppressor. Set in a forest, texts and other interferences disorientate the diegetic time of the film, and bring these characters to a contemporary discussion. 


Joanna Mamede is a Director and Visual Artist from Rio de Janeiro based in London. For ten years, she has been a prominent director working in films, documentaries, and television shows for some of Brazil’s best production companies. In recent years, Joanna has taken her skills and applied them to Visual Arts and Experimental Films.

Rebirth

Sunday 1800-1930

Length: 05:00 min

Directed by: Changchee Chun

Country of Origin: USA



 

Re·birth
/rēˈbərTH/
noun
The process of being reincarnated or born again

Cyclamen

Sunday 1800-1930

Length: 09:07 min

Directed by: Davide Canali

Country of Origin: Italy

 

A short short film about man, born from the interaction between the external world, in which he moves
and relates, and the inner world made of pains, desires and resilience.


Davide Canali was born in Anagni in 1981. His predisposition for artistic studies led him to attend the Academy of Fine Arts in Frosinone, where he graduated in 2004 with a thesis on theory and method of mass media in relation to the world of art. 


SAVE 2.0.

Sunday 1800-1930

Length: 07:00 min

Directed by: Ivan Sainz-Pardo

Country of Origin: Spain

 

"Night falls, a dog howl breaks the night".


Ivan holds a degree in film and television by the prestigious Munich Film School (HFF München). He works as director and screenwriter in film and advertising and also as Consultant Content in the international image stock company Framepool. He has won more than 300 Awards at film festivals around the world, an Academy Award (Oscar) pre-nomination, GOYA 2018 prenomination, Deutscher Kurzfilmpreis nomination, and Best European Short Award at the International Fantasy Film Festival of Brussels.

Popular Tropes

Sunday 1800-1930

Length: 15:01 min

Directed by: Dries Vergauwe

Country of Origin: Belgium

 

It’s the third year of a pandemic and the worst winter in decades. Those who can afford it stay inside, those who can’t collect the dead.



Chimera

Sunday 1800-1930

Length: 09:05 min

Directed by: Melpomene Loukanidou

Country of Origin: Greece

 

The Creator follows her mature self, her simulation, in a walking misty, hallucinatory. The hesitation and the cowardice itself keep it in the unfinished journey. She senses her escape, she realizes it, in this unfinished journey.


Melpomene Loukanidou was born in 1996 & raised in Thessaloniki. Today, she is studying at the Film School of Fine Arts of the Aristotle University of Thessaloniki. The movie "Chimera" is her first short film

To be a man

Sunday 1800-1930

Length: 20:37 min

Directed by: Max Kutschenreuter, Marlena von Wedel

Country of Origin: Germany

 

Director Statement: The movie encourages the audience to embark together on the quest for masculinity, and by making the story very personal, the film found a universal resonance. To be a man has an open ended finale, where everything has changed, yet everything in the end superficially stayed quite the same. The film raises specific questions but acquiesce in the fact it can’t answer them completely, and by doing so its tone remains down to earth and relatable.


Max Kutschenauter (16.10.1991 Nijmegen), graduated in 2014 from the Gerrit Rietveld academy with two short fiction films (Icarus & Exopterygota) from the audiovisual department to a bachelor of fine arts.

Max frequently collaborates with the Berlin based director Poppy Sanchez and Marlena von Wedel. 
Max' work deals extensively with topics such as: coming of age, gender roles, sexuality, queer experience and femininity. His work can be described as choreographed, mystical, comedic, and introspective. Besides the below filmography Max also created an extensive collection of performance work and film installations. Including drag and dance performances.

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